Lostalone - Say No To The World - Album Review

November 17, 2008

You could be forgiven for not having heard of LostAlone before. They are (as yet) a relatively unknown band from Derbyshire. The trio comprised of lead singer and guitarist Steven Battelle, bassist Tom Kitchen, and drummer Mark Gibson were first introduced to me as the opening act for Paramore in Manchester in mid 2007. I must confess, I hadn’t heard them before but I was really impressed by their set, and was somewhat dazed by the different sound of what is a straight up rock band. Some have described LostAlone as an emo band, but I think this is just because of the current emo trend with bands like My Chemical Romance and Fall Out Boy going around. Say No To The World is their debut (and only album at time of writing) and I bought it after being impressed by them at a Paramore gig.

Main influences of the band have been cited as Queen, Iron Maiden, Pink Floyd, and Weezer. Whilst none of these are particularly prevalent in the bands overall sound, there are subtle nods to these bands both musically, lyrically and dynamically in the band’s music. Battelle in particular, embodies the energy and direction of the band. A versatile vocalist and guitarist, he has developed a unique stage style and appeal which has grown to include alternative slide guitar techniques, and the crowd-pleasing ‘flip-catch-guitar-solo-with-shoe’ move. Certainly at the Paramore gig this was unexpected, and the energy and enthusiasm shown rubs off onto the crowd. To sing, play and be a frontman takes tremendous skill and confidence, and when he pulls it off right, it seems like they’re the only band in the world. So, having listened to Say No To The World, here’s what I think.

Elysium is a truly thunderous opening to the album and a slap in the face to anyone who may doubt the bands potential or enthusiasm. (Note; the Youtube version is not the album version.) In a Jesus of Suburbia way, the song incorporates many different styles and rhythms in the one song, and being just shy of 6 minutes long, isn’t overly long either. The tempo starts fast and grows faster and faster until roughly halfway through when the song winds down to a slow drum-dominated beat where its hands in the air clapping/swaying/lighters in the air time. After a brief guitar solo, the song picks up speed again and finishes slightly slower than the start, presumably because Steven is knackered by this time.

Followed by this is Unleash The Sands Of Time, which is easily the catchiest song on the album. ‘To say goodbye is the hardest thing in life’ will stick in your head for weeks after hearing it a few times, and the overall song is probably my personal favourite. As with Elysium, the guitar riffs are very catchy and Steven once again displays his wide vocal range with high and low pitches throughout. At the Paramore gig, this was the song where everyone I could see was clapping and singing along which gives you an idea how good this song is.

Track 3, Silence, reminds me of a heavier version of The Bravery’s song, An Honest Mistake, because of the focus on symbols and short stop gaps in the song. Distortion effects on the vocals are cool and unlike some songs, don’t ruin the sound at the same time. Ethereal and Predators In A Maze are the only real ballad-y song, and is a break from the rest of the 100mph songs. Genevieve is the heaviest song on the album and there are some absolutely fantastic guitar riffs and solo’s thrown into the mix as well as crashing drums, and is the song which shows what the band is about. Playing loud, fast, catchy songs, and Blood Is Sharp is similar, catchy and loud.

LostAlone have toured and performed with some truly big names, including (of course) Paramore, My Chemical Romance, and made a huge impact at the Give It A Name festival. Bruce Dickinson (Iron Maiden) has also singled them out to keep an eye on, so have a listen to the links above and see what you think. I think what is great about LostAlone is that while not a totally unique band, they do have their own style and appeal. They’re fresh and just play straight up rock music, which is refreshing in the current indie and emo dominated scene at the moment.

Overall - 8/10


Linkin Park, Paramore and Muse on upcoming Twilight Soundtrack

October 21, 2008

Amazon.co.uk have posted the track listing for the upcoming Twilight soundtrack.

The score to the film adaptation of Stephanie Mayer’s best selling book will feature two new Paramore tracks as well as songs by Linkin Park, Muse and actor Rob Pattinson who plays Edward Cullen in the movie.

The full track listing is as follows:

01 Muse - Supermassive Black Hole
02 Paramore - Decode
03 The Black Ghosts - Full Moon
04 Linkin Park - Leave Out All The Rest
05 MuteMath - Spotlight (Twilight Mix)
06 Perry Farrell - Go All The Way (Into The Twilight)
07 Collective Soul - Tremble For My Beloved
08 Paramore - I Caught Myself
09 Blue Foundation - Eyes On Fire
10 Rob Pattinson - Never Think
11 Iron & Wine - Flightless Bird, American Mouth
12 Carter Burwell - Bella’s Lullaby

The Twilight soundtrack will be released in the UK on November 4.

Source - Kerrang!

The 2 new Paramore songs are tempting, but I won’t be buying the soundtrack. They will be on the album so why not just wait, listen to it on youtube and buy the album when it’s out? The Linkin Park and Muse tracks, while excellent, are quite old now so chances are you probably own the songs - and if not, why not!?


The Orange Box - PC Game Review

October 11, 2008

I thought I got a good deal when I bought 2 PSP games for the price of one, but the Orange Box retails at £34.99 and is by far the single best gaming deal in the world right now. By Far. And that is not an exaggeration, not one bit. You see, for your £35 you actually get 5 games. The original Half-Life 2, Episodes 1 & 2 (expansion games), Team Fortress 2 (an online FPS) and Portal (an innovative puzzle FPS, more on that later). What’s more, these games are not half-arsed 10 minute long mods or add-ons. True, Episodes 1 & 2 are expansion levels but the design, detail and characters of each is equal to the original, and the HL2 story continues from where it left off.

Like HL2, the graphics are spectacular in episodes 1 & 2, from the very first scene to the very last. Plenty of old favourites return to help out through various parts of the game, and unlike HL2, Alyx will play, fight and interact alongside you in 95% of the game. People I know are divided on whether Alyx is a clever piece of AI, an annoyance, or just an excuse to appeal to a wider audience because of the fresh element. Personally, I think that after hearing the directors commentary (more on that later) you appreciate just how complex the whole AI system is, including Alyx, DOG, and the enemy soldiers. Unlike in other games, the NPC’s in HL2 don’t get in the way, don’t shoot you by mistake, and most importantly; are likeable to the point you actually care whether they live or die. Having Alyx shooting, ducking and climbing alongside you is very refreshing and at times, integral to proceeding through the game. One particular moment has Alyx acting as backup sniper, shooting zombies while you rush forward, and another scene in the dark has Gordon shining light and directing Alyx where to shoot. She also has twice as many facial features for a much wider range of emotions, and you can see the importance placed on her character, as her background is also explored, as well as her connection and relationship to Gordon. Enemy AI is also as sharp as ever, and there are also soldier AI fighting zombie AI, which is great fun, as it gives you the chance to do what you want, a theme throughout the game as there are often multiple ways to solve a puzzle. You can either wade in and shoot anything and everything, take tactical sniper shots, or wait and pick of any remaining enemies. There are also all the usual HL puzzles, intricate level design, and challenging action, and the 2 expansion packs are every bit as good as the original, something I wasn’t expecting.

Team Fortress - I’ve had a go on it and can instantly see why it appeals to so many people. The first thing that TF2 reminded me of was the Timesplitter series on PS2. (Timesplitters is a FPS regarded as one of the PS2’s best FPS series) the graphics are cartoony although somehow realistic and very sharp, and look absolutely beautiful and slick. When joining a team there are several different roles for you to choose, each with unique weapons, abilities and roles. So everyone will have their own tactics and characters. Map designs are varied, look great, and the whole game runs seamlessly – not only graphically, but from a players point of view, the loading times are kept to a minimum, and options are all animated, a nice little touch that not many other games bother to include. Although I’m not hooked like some people are, I can see why people do love it as much as (if not more than) Counter-Strike: Source and other online shooters. I haven’t been drawn in yet, and still mainly play Counter-Strike: Source.

Now, Portal is something special. This is the wheel, this is sliced bread, and this could be the single most brilliant concept ever. Portal is one of those things that come along every now and then and completely change the way games are thought of. I don’t think I can accurately describe just how utterly brilliant this game is, but I’ll give it a go anyway. The game is played like a FPS but is actually a puzzle game. Your only ‘gun’ is a portal device, you shoot 2 portals from it onto certain surfaces and use these portals to travel around and solve the puzzles on each map. I have no idea how the developers made it, but it’s simply astounding. The commentary from the PA is in typical Valve fashion and witty and truly entertaining, with quotes such as “do not attempt this puzzle as it is impossible”, “If you fail the test, the experiment will end – because you will be dead.” I’ve tried to do it justice in my description, but maybe this video will convey the brilliance of the game, and explain the concepts better. And remember this is a new game, and while it uses the HL2 engine, the thought behind each levels design, not to mention the additional way the portals are used. So much thought and effort has gone into the Orange Box that each individual game is worthy of a £30 price tag on its own, so you can see why £35 for the lot is such a great deal. Some other features are directors commentary on Portal and Episodes 1 & 2, bonus maps, loads of community maps are being developed, as is custom content, and add to this all the usual HL2 graphics, AI, physics, level design, characters, everything is in place and done to perfection. Quite simply, this is the single greatest gaming set in the world, and is the benchmark for any games in the future.

Overall - 9.5/10


White Stripes - Icky Thump - Album Review

October 10, 2008

The White Stripes have always been a bit quirky, a bit deviant from the traditional rock and roll norm. I mean really, what are they? Brother and sister? Married lovers? Aliens? They are in fact, according to which article you may read, all of the above. Additionally, what is just as rare in the music industry is having only two members of the band in Jack and Meg. There is no doubting Jack White’s talent on guitar, piano, cello, banjo, song writing and vocal skills, and has always (no offense to Meg) carried the band. Whether Meg (drums) is not that good or simply does not show off, who knows. She might be a bit of a token person in the band due to whatever relationship she has with Jack. Meg is like a nutty auntie who comes round at Christmas, who is clearly mad but also kind of hot in a peculiar way (you know you would). Jack is like an equally mad scientist who doesn’t know whether he’s coming or going.

Whatever, the White Stripes have always been ‘out there’ doing some remarkable and unique songs and videos, and usually, both together. Remember ‘Fell in Love with a Girl’the video made out of Lego, or ‘Button to Button’ which was a stop-start video where a new frame is on each beat? And apart from distinguished videos, they wouldn’t have had success without producing memorable songs, so let’s see what the new album, ‘Icky Thump’ throws at us.

As I said earlier, the White Stripes have always been very different from other rock and roll bands, increasingly you hear different instruments and styles as you listen through the albums. And as a mid-long time fan, from White Blood Cells through to Get Behind Me Satan, the exploration into different sounds increases on each album. What started as a solid drums and guitar band, quickly evolved and introduced piano’s, cello’s, banjo’s and tambourines into the mix. While this worked very well initially in ‘Little Ghost’ and ‘My Doorbell’ which are two truly brilliant songs, on Icky Thump, the deviant style feels a bit lazy. Most of the songs are slow, boring and repetitive to the point where you can’t remember which song you have just listened too. The titletrack ‘Icky Thump’ is very good, not quite as good as the early White Stripes songs mind, but very good nonetheless. But apart from that, the songs sound lifeless, and while there is plenty of guitar and drums, none of these songs are distinguished from each other. Lyrically, the songs are the weakest of any White Stripes album. While it might be unfair to compare albums to each other, as a fan it is hard not to be thinking, ‘this isn’t as good as Elephant’ and if the album was better I would be able to say it is better than previous releases, but it simply isn’t that good. At all. To put it simply, its rubbish.

There is no song which I think will be a future hit, and I haven’t even warmed to the album like I was hoping I would. I am really struggling to find anything positive to say about the album which is a shame, because everyone knows they have the ability to, but haven’t this time around. Maybe they are running out of ideas? I have never been so disappointed with an album before; I heard and watched Icky Thump on Kerrang and was expecting great things, but the album is very samey, the songs are half-arsed, and the overall feel is really boring and repetitive. I never imagined I would dislike the album as much as I do, and I hope that Jack and Meg get back on track next time. With regards to the final rating below, it is only that high because Icky Thump (the titletrack) is good, but still, I almost feel the need to apologise on behalf of the White Stripes for making such a dreadful album.

Overall - 5/10


Paramore - Riot! (album review)

October 8, 2008

Paramore’s follow-up to debut album ‘All We Know Is Falling’ has come at an ideal time. Their popularity seems to be growing by the day, and with such stunning acoustic performances by Hayley Williams (vocals) hitting youtube, it’s easy to see, and hear, why. Hayley Williams has such a powerful voice, hitting notes spot on at will, but not only that, the emotion she puts into the songs really comes across - if it wasn’t for her sensational vocal abilities, the band may well have been seen as just another teen band. But thankfully, someone did notice, and gave them a record deal. It wouldn’t be fair to not mention the rest of the band, and although the focus is somewhat inevitably on the gorgeous feisty redhead front-woman, Josh (lead guitar), Jeremy (Bass), and Zac (Drums) are just as charismatic on stage from what I’ve seen, and are obviously talented on their respective instruments. Indeed, Josh creates such instantly catchy guitar riffs that always fit perfectly with the feel of the song.

After listening to Riot! through the first time, the first striking thing is that the variety in the songs is brilliant. There are slow melodies which show off Hayley’s voice perfectly, fast up-tempo songs that are more catchy than anything you will hear in the charts, and even within these songs have variation in the tempo, notably in ‘That’s What You Get’, which is a ridiculously catchy song, and also in ‘crushcrushcrush’. Songs like ‘We Are Broken’ and ‘When It Rains’ and ‘Hallelujah’ are absolutely made for someone with a voice as spectacular as Hayley’s, both songs are so emotional and have meaning that really comes across in the song. The first single from the album, ‘Misery Business’, is a fantastic mix of pop/punk that has a typical Paramore style to it, but also has from the sound of it, personal experience. For example, “Well I refuse, I refuse, I refuse!!” is rejecting the Paris Hilton’s of the world, which needs to be said quite frankly, and anyone who has seen the video will know this is the theme for the song. This goes for all the other songs as well, each is distinctive and at the same time gets a point across by using meaningful lyrics.

In complete contrast to my recent Linkin Park review, Paramore have not changed from their pop/punk roots, and fans of the original album will defiantly recognise the catchy choruses, and be singing along within minutes. In fact, anyone who doesn’t sing along to ‘That’s What You Get’ might have something wrong with them. On the downside, it is arguably a short album being only 38 minutes long, but when the songs are as varied and well crafted as they are, it doesn’t need to be longer. Living up to the utterly flawless debut album release was always going to be tough, but I think they just about manage it.

The energy, emotion and truly talented band members in Paramore are really refreshing to listen to. Whether you’re in the mood to relax or have a mosh, there’s a song to fit, and while Paramore have definitely matured since the debut album, (which shows throughout Riot! In the lyrics and song construction) they’re sound remains as it should; exciting, upbeat and above all, fun. So, while not as good as ‘All We Know Is Falling’ the album is carried by a truly magnificent vocal performance, catchy sing-along choruses, well varied tempos, and excellent guitar riffs, for me make this one of the best albums of the year.

Overall - 9/10


Sum 41 - Underclass Hero (album review)

October 7, 2008

Sum 41 were signed by Island Records in 1999 on the wave of pop-punk inspired by Greenday and Blink 182, and were just as likeable and had similar sounds and even had the trademark pop-punk comical music videos, but for whatever reason, never had the same success as other bands that were around at the time. Perhaps this is to Greenday and Blink’s credit showing how good they were to all but eclipse Sum 41 from the spotlight. Since back then, Sum 41 have lost a member after releasing their previous album, 2004’s Chuck. Dave Baksh (guitar) left in May on good terms with the rest of the band, but was seeking to further his career with Brown Brigade, his more classical metal sounding band. Sum 41 drafted in a temporary guitarist for touring, although only the main trio will appear in videos, photo shoots etc. After I heard the single and titletrack of the new album, Underclass Hero, I remember thinking that this was going to be Sum 41’s crowning achievement. You see, to me at least, Sum 41 are a band who have always been on the edge of greatness, with loads of potential but never achieving it. 2001’s All Killer No Filler album was excellent and is the bands most successful album to date, but it hasn’t been equalled by other attempts since. After a few listens to their new album Underclass Hero, here’s what I think.

Like I said, after hearing the titletrack Underclass Hero, I was confident that the Sum 41 of old was back; I was looking forward to edgy, fast tracks with influences of metal, punk and rap in the mix. Anyone who remembers Fat Lip or Motivation will know what I mean. This is what Underclass Hero does well. Tracks such as Underclass Hero, Pull The Curtain, and King Of The Contradiction remind you why Sum 41 could have been legends rather than just a great band. On the downside, or perhaps upside depending on personal tastes, there is a distinct melodic feel to many of the songs which I wasn’t expecting. True, on previous albums there have been melodies which added some variety, but they dominate on the new album. Is married life to Avril Lavigne taking its toll on Derek? (guitar, vocals, piano/keyboard, writing & producing) because he seems a lot more soppy and emotional than ever before, most notably in The Long Goodbye, which sounds like a rip-off of Greenday’s mostly acoustic guitar sounding, Time Of Your Life. While I am confident some fans (mainly female ones) will love the new sounds, I have a feeling that others like me will miss the lack of metal on the album. It’s too early to judge how it has been received by other fans of course, but to me, my initial joy turned into slight disappointment.

The album seems to be very hit-and-miss with its confusing mix of melodies and rock tracks. The album isn’t even structured in a way to show changes. It leaps from high tempo 100mph tracks to turtle paced soothing ballads. Even the track order/listing seems a bit confusing as most bands put the best songs at the start, and apart from track 1 (Underclass Hero) the songs tend to get better towards the end. So while some songs are great, others are, frankly, a bit dull and seem more suited to Take That. Perhaps in the past it was always Dave who gave the band a firm metal edge? That said, there is enough to satisfy fans both old and new, and while Sum 41 haven’t achieved greatness just yet, I think it’s fair to say the album has been a success.

Overall - 7/10


Paramore HQ Wallpapers from Kerrang!

October 7, 2008

Wallpapers of rock bands are hard to find, and very rarely come higher than 1024×768, which is not big enough for most modern monitors. Here are 7 top quality HQ (high quality) and UHQ (ultra high quality) wallpapers for the most popular high resolutions available. The photo was taken from Kerrang magazine’s 2008 calender, and features Hayley Williams, Josh Farro, Jeremy Davies, and Zac Farro. Enjoy!

1024×768

1280×800

1280×1024

1440×900

1600×1200

1920×1200

2560×1600


Paramore’s new single (Decode) is Here Now!

October 2, 2008

Paramore have finished work on their track for the Twilight soundtrack and author Stephanie Mayer has posted it on her website.

“Twilight is the first series of books I’ve ever read,” said Paramore frontwoman Hayley Williams. “I didn’t get into the Harry Potter series, even though I love the movies. Twilight really caught my attention and held it. I’m really excited to see the book adapted to film and excited that our band gets to be a part of the phenomenon.

“I chose the title Decode because the song is about the building tension, awkwardness, anger and confusion between [Twilight's lead characters] Bella and Edward,” continued Williams. “Bella is the only mind Edward can’t read, and I feel like that’s a big part of the first book and one of the obstacles for them to overcome. It’s one added tension that makes the story even better.”

Twilight is due for release in the US at the end of November, and was directed by Catherine Hardwicke (Thirteen) and stars Kristen Stewart (Panic Room) and British-born actor Robert Pattinson (Harry Potter And The Goblet Of Fire) as Bella Swan and Edward Cullen respectively.

The Twilight soundtrack will be released in the UK on December 15

Listen to the track here

My initial thoughts; definitely a different, much more epic song than anything Paramore have previously done. The Paramore sound hasn’t gone away, but it’s obvious that it’s a song based for a soundtrack. Hayley sounds just amazing throughout, the drums and guitars are spot on - nothing new really, just the same high quality production from an amazing band. The song soars and drops really well, and I think Hayley’s voice yet again steals the show.

Highly recommended for all, and I cannot wait for the next album, although there is still some time to go before release.